Sally Promey

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  • Professor of Religion and Visual Culture, Yale

Professor Promey is director of the Center for the Study of Material and Visual Cultures of Religion (MAVCOR), generously supported by grants awarded in 2008 and 2016 from the Henry Luce Foundation as well as by the ISM and Yale University. MAVCOR’s second project cycle, a five-year international scholarly collaboration titled “Material Economies of Religion in the Americas,” has its first Fellows Seminar in 2017. On campus, Promey convenes the interdisciplinary Sensory Cultures of Religion Research Group. Prior to arriving in New Haven in 2007, she was chair and professor in the Department of Art History and Archaeology at the University of Maryland, where she taught for fifteen years. Her scholarship explores relations among visual/material cultures and religions in the United States from the colonial period through the present. Current book projects include a volume on the public display of religion in the United States and one on the co-constitution of American artistic and religious modernities. Most recently, she was contributing author to and editor of Sensational Religion: Sensory Cultures in Material Practice (Yale University Press, 2014); and coeditor, with Leigh E. Schmidt, of American Religious Liberalism (Indiana University Press, 2012). Among earlier publications, Painting Religion in Public: John Singer Sargent’s “Triumph of Religion” at the Boston Public Library received the American Academy of Religion Award for Excellence in the historical study of religion, and Spiritual Spectacles: Vision and Image in Mid-Nineteenth-Century Shakerism was awarded the Charles C. Eldredge Prize for outstanding scholarship in American art. Recent articles and book chapters include essays titled “Material Establishment and Public Display”; “Hearts and Stones: Material Transformation and the Stuff of American Christianities”; “Sensory Cultures: Material and Visual Religion Reconsidered” (coauthored with Shira Brisman); “Mirror Images: Framing the Self in Early New England Material Piety”; and “Taste Cultures and the Visual…

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